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Anthony Van Dyck The funf senses with landscape oil painting


The funf senses with landscape
Painting ID::  45591
Anthony Van Dyck
The funf senses with landscape
mk186 1638 Strabburg, muse of the Beaux-type

   
   
     

Anthony Van Dyck Portrat Karls I. Konig of England oil painting


Portrat Karls I. Konig of England
Painting ID::  45850
Anthony Van Dyck
Portrat Karls I. Konig of England
mk187 around 1637/38 oil on linen 367x292.1cm

   
   
     

Anthony Van Dyck Reiterbidnis the Francisco served de Mancada oil painting


Reiterbidnis the Francisco served de Mancada
Painting ID::  45854
Anthony Van Dyck
Reiterbidnis the Francisco served de Mancada
mk178 1634/35 oil on linen 305x242cm

   
   
     

Anthony Van Dyck Queen Henrietta maria oil painting


Queen Henrietta maria
Painting ID::  50841
Anthony Van Dyck
Queen Henrietta maria
mk216 She was the youngest daughter of Henri IV of France and queen Consort of Charles

   
   
     

Anthony Van Dyck Marchese Elena Grimaldi oil painting


Marchese Elena Grimaldi
Painting ID::  53799
Anthony Van Dyck
Marchese Elena Grimaldi
mk234 1623 241x133cm

   
   
     

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

     Related Artists::.
     | Geertgen Tot Sint Jans | John Martin | Aleksander Orlowski |


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